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Introduction:


A series of essays wherein I explore the numerous musical identities of my favorite musician: from child prodigy to teen idol to guitar hero to singer/songwriter to award-winning in-demand film composer.
Featuring news/updates and commentary/analysis of Trevor's career and associated projects.
Comments are disabled but please feel free to contact me at rabinesque.blog@gmail.com.



Thursday, May 19, 2022

#tbt: in his native habitat

Spotted on Instagram: with thanks to shinsui_f_works for posting some little-seen images from the December 1989 issue of the Japanese music magazine Player featuring an article for the Can't Look Away promotional cycle.  

https://www.instagram.com/p/CdlA3Bqrq_P/

In the first photo, Trevor is pictured in his home studio, which was located in the garage until a later upgrade for the recording of Talk.  On the wall behind Trevor is his painting Johannesburg.

There is at least one other image from this shoot by Rick Gould published elsewhere, which was used for an article in the November 1989 issue of Guitar World.

Interestingly, the shoot with William Hames (the other photo included on the second page of the post) is very similar to another with Ray Palmer - a portrait with that same background was featured in an article from the September 1989 issue of Kerrang!